Skip to main content

My Week as a Muslim - Channel 4

My Week as a Muslim, a Channel 4 documentary “that aims to give a frank insight into the everyday lives of British Muslims, including the anti-Islamic sentiments they often encounter” (Jones, 2017). The documentary follows Katie Freeman who “is frightened of Muslims” (Nicholson, 2017), as she “puts on makeup and changes her clothes in order to pass as a Muslim” (Khan, 2017) to open her eyes on how life is like for a Muslim woman. This programme was broadcast on 23 October 2017 on Channel 4. Due to some language and sensitive subjects covered in the documentary it was shown at 9pm. 


Image result for my week as a muslimChannel 4 “wanted to do something bold and experimental” (Khan, 2017) when creating this documentary that fits their commissioning guide for a documentary that, “says something about society now” (4 Commissioning, n.d.). In true Channel 4 fashion, this documentary was highly controversial and was “widely criticised for ‘brownface’” (Jones, 2017), however, it was still broadcast as they are "trying to make it seem a bit more ambitious" (Thirkell, 2017). Fozia Khan, the producer, spoke out against the criticisms of the programme being racist by saying “its purpose is to inform and promote understanding between communities, not to caricature them” (Jones, 2017).

During filming, the atrocious Manchester Arena bombing “[happened] in the middle of filming” (Nicholson, 2017) and you can see that the format of the documentary “dramatically changed circumstances” (Nicholson, 2017). Therefore, Katie was offered the choice whether to carry on filming or to go home. They “chose to continue – feeling [their] contribution could be more valuable than ever” (Khan, 2017).

Furthermore, the audience is shown compassion from Saima as she convinces Katie that “this time more than any other would give her a sense of what it was really like to be a British Muslim” (O’Donovan, 2017). My Week as a Muslim makes the viewer come to realise that being ignorant and not knowing about certain cultures becomes an area of prejudice and hatred.

References

Jones, P. (2017). Why Channel 4’s My Week as a Muslim is so controversial. Retrieved 2 November 2017, from http://www.radiotimes.com/news/2017-10-23/my-week-as-a-muslim-channel-4-controversial/

Nicholson, R. (2017). My Week as a Muslim review – a cynical concept and spectacularly odd. Retrieved 2 November 2017, from https://www.theguardian.com/tv-and-radio/2017/oct/23/my-week-as-a-muslim-review-a-cynical-concept-and-spectacularly-odd

Khan, F. (2017). I produced My week as a Muslim. Its intention was to educate, not offend. Retrieved 2 November 2017, from https://www.theguardian.com/commentisfree/2017/oct/23/producer-my-week-as-a-muslim-brownface-documentary

Thirkell, R. (2014).Conflict - the insiders' guide to storytelling in factual/reality tv and film : the insiders' guide to storytelling in factual/reality tv & film. Retrieved from https://ebookcentral-proquest-com.salford.idm.oclc.org 

4 Commissioning. (n.d.) Documentaries. Retrieved 2 November 2017, from http://www.channel4.com/info/commissioning/4producers/documentaries

O’Donovan, G. (2017). My Week as a Muslim was a privileged insight into what it’s like being Muslim in Britain today, review. Retrieved 2 November 2017, from  http://www.telegraph.co.uk/tv/0/week-muslim-privileged-insight-like-muslim-britain-today-review/

Popular posts from this blog

The Archers

The Archers is BBC Radio 4's "longest running drama" (Independent, 2011) and has been providing entertainment of real stories for over 67 years. It fits the radio 4 remit by providing a "wide range of other speech output including drama" (BBC Trust, 2016) but why has it been running for so long and what makes this drama engaging for its listeners? The episode I listened to was from back in 2013 when Bridge Farm's dairy herd was sold. This programme was grounded in factual research to ensure the programme sounded realistic for the viewers. The writer for The Archers visited a farm's cattle sale because there is "no way a writer could conjure scenes like this out of the imagination" (Solazzo, 2013). This quote shows that in every detail of the programme, in-depth research has been done to immerse the audience in as much realism as possible. The Archers covers a wide range of topics from "domestic violence and dementia to robotic cow mil

Desert Island Discs

This week I am focussing on copyright and clearance, more specifically how copyrighted material is cleared and what has been used in the chosen programme. I listened to the episode featuring Jack Whitehall which was broadcast on 9th February 2018. Desert Island Discs is presented by Kirsty Young who "invites her quests to share the soundtrack of their lives" (BBC, n.d.) and broadcast on BBC Radio 4. Desert Island Discs fits BBC Radio 4's remit because the "mixed speech service" (BBC, 2016) is used to "inform, educate and entertain" (BBC, 2016) its audience. The Copyright,  Designs and Pattern Act 1988 is the law on copyright currently in the UK (UKCS, n.d.). It gives the creator of original content control over how their content is used. It is described as when an "individual or organisation creates a work, and applies to a work if it is regarded as original" (UKCS, n.d.) then copyright arises. For Desert Island Discs, the music used w

Eden: Paradise Lost

Eden: Paradise Lost - Channel 4 'Eden: Paradise Lost' was first broadcast as 'Eden' on Channel 4 in 2016. The programme followed the experience of a group of men and women from the UK as they "face the challenge of building a new life and creating a new society from scratch" (Channel4.com, 2015). Using an "embedded crew" (Channel4.com, 2015) the group have only the basics to survive and build a new society but after the only a few episodes being aired in 2016 it was "pulled from screens" (Swindon, 2017) and in 2017 it was rebranded as 'Eden: Paradise Lost' to "tell the story of how it all fell apart so dramatically" (Nicholson, 2017). When the participants emerged from Eden, they realised that it "had not been on television in months" (Nicholson, 2017) mainly due to the ratings falling "from 1.7 million to 800,000 over four episodes" (Swindon, 2017). So why did this programme fail? The five new e